XIONG Xiaoyu / Sherry 熊晓宇

“ …at the heart of this critical language, between several discourses, those of sociology, of semiology, and of psychoanalysis—but that, by ultimate dissatisfaction with all of them, I was bearing witness to the only sure thing that was in me (however naive it might be): a desperate resistance to any reductive system. For each time, having resorted to any such language to whatever degree, each time I felt it hardening and thereby tending to reduction and reprimand, I would gently leave it and seek elsewhere: I began to speak differently.”
                                                                                                     --   Roland Barthes (1980), Camera Lucida

        selected artworks 部分作品
An Emotional Poem 情绪诗, 2024
DNA mirror DNA镜子, 2024

Where_is_语言_مرضی_nehmen 나?, (文字将去向哪里?), 2024

1 Question ⋅20 People ⋅ 20 Glasgow ⋅ 20 World,
一个问题,20个人,20个格拉斯哥,20个世界,  2024

A Translation Experiment 一个翻译实验,2023
My  Hamburg, 我眼中的汉堡,2023.
Glasgow in my Eyes,  我眼中的格拉,2023
Identity you, 定义你,2023
Who  is Hui’an Woman?,谁是惠安女?,2022
Listen  to Her,看它说,2021

    projects 综合项目
    My word, My world, 我的文字宇宙,2023-now
    Art&Heritage Exhibition,艺术与遗产展览,2021-2023
    Soapbox Science & Art,2018


      writings 观点写作
    The Malevolence of Words , 书写之恶,2023
    The Rebellion of Words,文字的反叛,2024
    Colonial Arrogance: In the Name of Cultural Appropriation,
    殖民地的傲慢:以“文化挪用”为名,2022

    The Imagination of Words: Living Words, 文字的想象力:活着的文字,2023


    我是一名独立视觉艺术家和写作者。
    Biography

    CV
    Email
    : xiongxiaoyu66@163.com
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    ©2024


    Glasgow in My Eyes

    Real time interactive moving image, 2023


    该作品是我以文字作为材料进行创作的第二阶段,将文字置入日常生活中,以更直观的方式展现语言、文字对社会系统的构建。而人的思想和欲望隐藏在文字中散播在生活环境中的每个角落。

    该作品是一个实时互动图像,我拿着摄像头走在格拉斯哥的街道上,画面随着我的镜头展现出来。
    2024年初,该作品获得苏格兰视觉艺术和苏格兰皇家学会的展览邀请。

    This work represents the second phase of my creation using text as material, embedding text into everyday life to more intuitively showcase how language and text construct social systems. Human thoughts and desires are hidden within the text, spreading into every corner of our living environment.

    The piece is a real-time interactive image; I walk through the streets of Glasgow with a camera, and the scene unfolds with my movements. 

    In early 2024, this work was invited for exhibition by Scotland's Visual Arts and the Royal Scottish Society.