XIONG Xiaoyu / Sherry 熊晓宇

“ …at the heart of this critical language, between several discourses, those of sociology, of semiology, and of psychoanalysis—but that, by ultimate dissatisfaction with all of them, I was bearing witness to the only sure thing that was in me (however naive it might be): a desperate resistance to any reductive system. For each time, having resorted to any such language to whatever degree, each time I felt it hardening and thereby tending to reduction and reprimand, I would gently leave it and seek elsewhere: I began to speak differently.”
                                                                                                     --   Roland Barthes (1980), Camera Lucida

        selected artworks 部分作品
An Emotional Poem 情绪诗, 2024
DNA mirror DNA镜子, 2024

Where_is_语言_مرضی_nehmen 나?, (文字将去向哪里?), 2024

1 Question ⋅20 People ⋅ 20 Glasgow ⋅ 20 World,
一个问题,20个人,20个格拉斯哥,20个世界,  2024

A Translation Experiment 一个翻译实验,2023
My  Hamburg, 汉堡,2023.
Glasgow in my Eyes,  格拉,2023
Identity,2023
Who  is Hui’an Woman?,谁是惠安女?,2022
Listen  to Her,看它说,2021
The Bite Ancient City, 跳动的古城,2021
The  Shape of Thought, 思想的形状, 2018
Under the Shadow - Match  Men,  光影之下 -“火柴人”, 2018

    projects 综合项目
    My word, My world, 我的文字宇宙,2023-now
    Art&Heritage Exhibition,艺术与遗产展览,2021-2023
    Soapbox Science & Art, The Choke, 窒息, 2018


      writings 观点写作
    The Malevolence of Words , 书写之恶,2023-2024
    The Rebellion of Words,文字的反叛,2024
    Colonial Arrogance: In the Name of Cultural Appropriation,
    殖民者的傲慢:以“文化挪用”为名,2022

    The Imagination of Words: Living Words, 文字的想象力:活着的文字,2023-2024

    About Me
    Biography

    CV
    Email : xiongxiaoyu66@163.com
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    ©2024

    The Choke
    Interactive Installation / 2018 / Supported by Soapboxscience + Manchester Bluedot Festival



    This is a social organisation Soapboxscience (http://soapboxscience.org/) “launched by the” twelve women scientists working with twelve female artists of the propaganda of scientific knowledge “. One of the venues for this event is the 2018 Manchester Bluedot festival.

    This installation was created by me in collaboration with Spanish scientist Ana payopayo to promote science and the environment to the public. Plastic led to a large number of seabirds choked to death, in order to more vivid purpose of propaganda, allow the public to put themselves in consider the situation of seabirds, I will death data of seabirds and Marine pollution threat to humanity printed onto the plastic bags, need to enjoy it in your head into the plastic bags to read the contents of the inside, and at the same time, the experience will feel difficult to breathe and experience to the feeling of the seabirds.

    Globally, 91% of plastic is not recycled. Most of this plastic is not biodegradable, and it can be hundreds or even thousands of years old. Seabirds are facing a serious plastic threat. The cormorant is a seabird whose garbage is released into the ocean due to the overproduction of plastics, leading to the suffocation of many seabirds. Not only are Marine life endangered, but the cormorant could disappear by 2050 if humans don’t stop it.


    The Choke, 2018, Interactive Installation, Manchester Bluedot Festival, Manchester.


    Public interactive with the work, 2018, Manchester Bluedot Festival, Manchester.


    The Scientist is interacting with the public, 2018, Manchester Bluedot Festival, Manchester.


    The Scientist is interacting with the public video recording, 2018, Manchester Bluedot Festival, Manchester.